7
after the death of Raghunatha. She seems to be the most favourite of the King, and Kalakavi mentions her name at the end of each canto-
1st. Canto verse 129 "Muddu Chandrarekha Känta."
2nd. Canto verse 83 "Muddu Chandrarakha natha"
3rd. Canto verse 88 "Muddu Chandrarekha madana"
4th. Canto verso 83 “Sri Muddu Chandrarekha primastómábhirăma"
The other ladies who performed the various kinds of dances relating to Nütyagcyas are the following :-
Name of the Dancer.
Name of the Natya.
Chaupada. Sabda Chintamani Jakkiņi. Koravi. Navapada. Dēśi. Durupada. Pēraņi Rupavati. Champaka (valli) Morti. Komalavalli Lõkanēyika. Sasirekha. Ratnagiri. Bhagirathi.
Dances relating to Madana padas, Dutya and Navaratna were performed by other ladies. (1-23)
In Sangita, both the Marga and Daši styles were highly cultivated. Some ladies played on instruments like Veena, Kinnara, Mukha Veena, Pillangrovi,
